5 ways to write for the ear, not the eye

Can you hear the voices?  Yes, I have voices going in my head–I promise I’m not crazy, I’m a writer!  The voices are my imaginary scripts and presentations spoken in an auditorium or in front of a television camera as I write them. Writing for the ear using imaginary voices is a trick I learned early on. After starting my career as a television news anchor and show producer, I’m back doing live radio and podcasts again, and the voices work for me. And if you write speeches, video scripts or even blogcasts, you may want to start listening to the voices in your own head.

I love this article from Brad Phillips over at Mr. Media Training Blog. Check it out for more tips on writing for the ear:

 

Before I began working with one of our clients, the communications staff drafted a few messages for their top spokespersons. Their messages were full of seemingly endless sentences that read well enough on paper (sort of), but were almost impossible to speak aloud during a media interview.

To protect the client’s confidentiality, I modified this example and changed the industry. However, the complexity of the message remains intact:

“This multi-lateral agreement, and its steady progress forward, is critical because it will  protect Americans who could otherwise be maimed or killed should they consume – knowingly or unknowingly – unapproved imported meats, unpasteurized dairy products, or dangerous unregulated alcoholic beverages.”

Now that you’ve read that message, go back and speak it aloud. Tough to sound natural while delivering those lines, yes?

Since you probably don’t speak that formally in everyday conversation, you shouldn’t attempt to do so during media interviews. Below is an alternate version of that message. Speak it aloud again:

“We need to sign this agreement quickly to protect Americans from unregulated and dangerous meats, dairy products, and alcoholic beverages.”

The above sentence is written for the ear, and most speakers can deliver it in a much more natural manner.

Here are five ways you can write for the ear, not the eye:

1. Use short words: Big words sound impressive. But multi-syllabic words are rarely as good as their simpler counterparts when writing for the ear. As Winston Churchill said, “Short words are the best and old words when short are the best of all.”

2. Use short sentences: Short sentences are more impactful than longer ones. The first example above has 39 words; the second has just 20. There’s a good reason the most memorable lines from famous speeches are short, rarely exceeding 20 words.

3. Use everyday words: One seminal study found that adults can understand 96 percent of all spoken language with a vocabulary of just 2,000 words. Although most native English speakers know thousands more, they tend to use the same limited pool of words in conversation. When speaking to a general audience, you should too.

4. Use contractions: Barring the most formal speeches, oral delivery requires the use of contractions. “Do not” and “I will” work best for the eye. “Don’t” and “I’ll” work best for the ear.

5. Speak them aloud: When you’re finished drafting your messages, read them aloud. If any of them contain a word that doesn’t roll easily off your tongue, replace it with one that does.

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